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		<title>&#8230;top ten records two thousand eight</title>
		<link>http://www.jerrybolton.com/2009/01/top-ten-records-two-thousand-eight/</link>
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		<pubDate>Sat, 10 Jan 2009 01:00:00 +0000</pubDate>
		<dc:creator>Jerry</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Personal]]></category>
		<category><![CDATA[Becoming The Archetype]]></category>
		<category><![CDATA[Braille]]></category>
		<category><![CDATA[Brandon Heath]]></category>
		<category><![CDATA[Brave Saint Saturn]]></category>
		<category><![CDATA[City & Colour]]></category>
		<category><![CDATA[Coldplay]]></category>
		<category><![CDATA[Copeland]]></category>
		<category><![CDATA[Death Cab for Cutie]]></category>
		<category><![CDATA[Deepspace5]]></category>
		<category><![CDATA[Dustin Kensrue]]></category>
		<category><![CDATA[Emery]]></category>
		<category><![CDATA[GZA]]></category>
		<category><![CDATA[Sev Statik]]></category>
		<category><![CDATA[The Classic Crime]]></category>
		<category><![CDATA[Thrice]]></category>
		<category><![CDATA[Top 10]]></category>
		<category><![CDATA[Underoath]]></category>

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		<description><![CDATA[Here&#8217;s my top 10 records released in 2008.
They are IN NO PARTICULAR ORDER, and are followed by a few lines about each.
 Format:
 ## &#8211; Artist &#8211; &#8220;Album Name&#8221;
 01 &#8211; Thrice &#8211; &#8220;The Alchemy Index Vol. 3 &#38; 4: Air &#38; Earth&#8221;
 If their 2007 EP &#8220;The Alchemy Index Vol. 1 &#38; 2: Fire &#38; Water&#8221; hinted at anything,  [...]]]></description>
			<content:encoded><![CDATA[<p><span style="font-style: italic;font-family:arial;">Here&#8217;s my top 10 records released in 2008.<br />
They are <span style="font-weight: bold;">IN NO PARTICULAR ORDER</span>, and are followed by a few lines about each.</span></p>
<p><span style="font-family:arial;"> <span style="font-size:85%;">Format:</span></span><span style="font-size:85%;"><br />
<span style="font-family:arial;"> ## &#8211; Artist &#8211; &#8220;Album Name&#8221;</span></span></p>
<p><span style="font-weight: bold;font-family:arial;"> 01 &#8211; Thrice &#8211; &#8220;The Alchemy Index Vol. 3 &amp; 4: Air &amp; Earth&#8221;</span><br />
<span style="font-family:arial;"> If their 2007 EP &#8220;The Alchemy Index Vol. 1 &amp; 2: Fire &amp; Water&#8221; hinted</span><span style="font-family:arial;"> at anything, it was that the experimental direction begun on their</span><span style="font-family:arial;"> previous record &#8220;Vheissu&#8221; was but a portent of things to come. &#8220;Vol.</span><span style="font-family:arial;"> 1: Fire&#8221; revealed that Thrice can still melt faces with blistering</span><span style="font-family:arial;"> post-punk rock even when they play with bizarre timings and unique</span><span style="font-family:arial;"> structures, and &#8220;Vol 2: Water&#8221; revealed an entrancing, largely</span><span style="font-family:arial;"> synthesized, beautiful ambient Thrice we had never heard before. In a</span><br />
<span style="font-family:arial;"> similar fashion, &#8220;Air &amp; Earth&#8221; pushes that envelope further, with</span><span style="font-family:arial;"> &#8220;Air&#8221; glistening and crackling with quiet energy and what can only be</span><span style="font-family:arial;"> described as a whirlwind of light and atmospheric crescendos.</span><span style="font-family:arial;"> Conversely, &#8220;Earth&#8221; shares much more in common with frontman Dustin</span><span style="font-family:arial;"> Kensrue&#8217;s solo work and is full of acoustic sounds akin to Johnny Cash</span><span style="font-family:arial;"> and old-school folk and country records than anything else in Thrice&#8217;s</span><span style="font-family:arial;"> catalog. In a word, breathtaking.</span></p>
<p><span style="font-weight: bold;font-family:arial;"> 02 &#8211; Brave Saint Saturn &#8211; &#8220;Anti-Meridian&#8221;</span><br />
<span style="font-family:arial;"> Not only the best BS2 record, but the best thing Reese Roper has ever</span><span style="font-family:arial;"> written and performed vocals for &#8211; and that includes Five Iron Frenzy.</span><span style="font-family:arial;"> A brilliant ending to the loose story arc begun back on &#8220;So Far From</span><span style="font-family:arial;"> Home&#8221; and continued on &#8220;The Light of Things Hoped For&#8221;. Lyrically</span><span style="font-family:arial;"> strong, musically strong, and very highly rated independent release</span><span style="font-family:arial;"> out of the remains of what will always be one of Third Wave Ska&#8217;s</span><span style="font-family:arial;"> greatest memories.</span></p>
<p><span style="font-weight: bold;font-family:arial;"> 03 &#8211; Underoath &#8211; &#8220;Lost In The Sound Of Separation&#8221;</span><br />
<span style="font-family:arial;"> Blistering, anthemic, organic, pulsating with purpose, raw,</span><span style="font-family:arial;"> passionate, and ultimately the best Underoath record to date.</span><span style="font-family:arial;"> Structurally remarkable as it almost unilaterally avoids the trappings</span><span style="font-family:arial;"> of traditional verse-chorus, and sonically/lyrically impressive as it</span><span style="font-family:arial;"> comes across with a remarkable juxtaposition of distortion and clarity.</span></p>
<p><span style="font-weight: bold;font-family:arial;"> 04 &#8211; Emery &#8211; &#8220;Where Broken Hearts Prevail EP&#8221;</span><br />
<span style="font-family:arial;"> Quite simply, this is a wonderful hybrid of the sounds explored on</span><span style="font-family:arial;"> &#8220;The Question&#8221; and &#8220;I&#8217;m Only A Man&#8221;. In short, they&#8217;ve taken the best</span><span style="font-family:arial;"> parts of both, made a hybrid, tightened up the screws, and unleashed</span><span style="font-family:arial;"> their best album ever &#8211; the only downside is that it only lasts 7 tracks.</span></p>
<p><span style="font-weight: bold;font-family:arial;"> 05 &#8211; The Classic Crime &#8211; &#8220;The Silver Cord&#8221;</span><br />
<span style="font-family:arial;"> Not exactly known for pushing envelopes musically, The Classic Crime</span><span style="font-family:arial;"> do manage to outdo their previous work both in terms of scope and in</span><span style="font-family:arial;"> terms of sound &#8211; with the tasteful appearance of quite a few new</span><span style="font-family:arial;"> instruments (the least of which is not frontman Matt MacDonald&#8217;s</span><span style="font-family:arial;"> visceral yells, a welcome addition). Overall, there&#8217;s a whole lot more</span><span style="font-family:arial;"> depth and maturity here, resulting in one of the best rock albums in</span><span style="font-family:arial;"> recent memory.</span></p>
<p><span style="font-weight: bold;font-family:arial;"> 06 &#8211; Becoming The Archetype &#8211; &#8220;Dichotomy&#8221;</span><br />
<span style="font-family:arial;"> Quite simply, Becoming the Archetype finally realized their remarkable</span><span style="font-family:arial;"> potential on this album. Moving out of riff-city and into</span><span style="font-family:arial;"> epic-metropolis, and from &#8220;we can write sweet bits for songs&#8221; to &#8220;we</span><span style="font-family:arial;"> do write great complete songs&#8221;. Consequently, this is the year&#8217;s</span><span style="font-family:arial;"> must-have metal record. A completely mind-blowing re-imagining of the</span><span style="font-family:arial;"> classic hymn &#8220;How Great Thou Art&#8221; stands as an example.</span></p>
<p><span style="font-weight: bold;font-family:arial;"> 07 &#8211; Dustin Kensrue &#8211; &#8220;This Good Night Is Still Everywhere&#8221;</span><br />
<span style="font-family:arial;"> Thrice frontman Dustin Kensrue releases his second solo effort, this</span><span style="font-family:arial;"> time a Christmas record. Questionable choice? Sure. Fantastic results?</span><span style="font-family:arial;"> Absolutely. Eight covers (only one or two that are unremarkable) and</span><span style="font-family:arial;"> two amazing originals. This one will see regular rotation for many</span><span style="font-family:arial;"> years to come.</span></p>
<p><span style="font-weight: bold;font-family:arial;"> 08 &#8211; Mars Ill &#8211; &#8220;Black Listed Sessions&#8221;</span><br />
<span style="font-family:arial;"> Mars Ill&#8217;s producer and deejay extraordinaire DJ Dust has been</span><span style="font-family:arial;"> remixing their records since 2003, and the results are consistently as</span><span style="font-family:arial;"> good or better than the original mixes. In this double-take on their</span><span style="font-family:arial;"> previous &#8220;Blue Collar Sessions&#8221; EP, Dust provides us with some amazing</span><span style="font-family:arial;"> reimaginings of classic tracks. They are so good that they might as</span><span style="font-family:arial;"> well Blacklist them, for their release upon unsuspecting eardrums</span><span style="font-family:arial;"> might cause the musical equivalent of a hydrogen bomb attack.</span></p>
<p><span style="font-weight: bold;font-family:arial;"> 09 &#8211; Deepspace5 &#8211; &#8220;Bake Sale&#8221;</span><br />
<span style="font-family:arial;"> Upon finding themselves label-less after a brief stint on Gotee</span><span style="font-family:arial;"> Records, rap supercrew Deepspace5 set out to record and release their</span><span style="font-family:arial;"> third album independently. To fund the effort, they recorded and</span><span style="font-family:arial;"> released this incredible 10-track equivalent of a grade school bake</span><span style="font-family:arial;"> sale (hence the name) to raise funds for putting out album #3 (which</span><span style="font-family:arial;"> will be called &#8220;The Future Ain&#8217;t What It Used To Be&#8221;). The results, as</span><span style="font-family:arial;"> always, are spectacular. Challenging beats coupled with</span><span style="font-family:arial;"> humorous/convicting/clever raps, and brief enough to leave you</span><span style="font-family:arial;"> hungering for DS5#3 in 2009.</span></p>
<p><span style="font-weight: bold;font-family:arial;"> 10 &#8211; Copeland &#8211; &#8220;You Are My Sunshine&#8221;</span><br />
<span style="font-family:arial;"> Copeland finds itself on Tooth &amp; Nail Records, being produced by Aaron</span><span style="font-family:arial;"> Sprinkle. Awesome, overwhelming serenity results. Hands down the</span><span style="font-family:arial;"> smooth, sleepy, ambient, vocal-driven hit of the year.</span></p>
<p><span style="font-weight: bold;font-family:arial;">Honourable Mentions:</span><br />
<span style="font-family:arial;"> GZA/Genius &#8211; &#8220;Pro Tools&#8221;</span><br />
<span style="font-family:arial;"> Coldplay &#8211; &#8220;Viva La Vida&#8221;</span><br />
<span style="font-family:arial;"> City &amp; Colour &#8211; &#8220;Bring Me Your Love&#8221;</span><br />
<span style="font-family:arial;"> Brandon Heath &#8211; &#8220;What If We&#8221;</span><br />
<span style="font-family:arial;"> Sev Statik &#8211; &#8220;Shotgun&#8221;</span><br />
<span style="font-family:arial;"> Death Cab For Cutie &#8211; &#8220;Narrow Stairs&#8221;<br />
Braille &#8211; &#8220;The IV Edition&#8221;<br />
</span></p>
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